- Diversity and equal opportunity policy
- Éveil/Alive: The exhibition is now open for circulation
- Molior 15 years | Online Publication on Daniel Langlois Foundation's website
- "The Dead Web – La Fin" available for circulation
- MIRAGE FESTIVAL
- Colloquium : Contemporary Digital Art: Conservation, Dissemination and Market Access
- Molior 15 years | Fund raising
- Rhythms of the Imagination, Technological Tools and Works
- TransLife International Triennial of New Media Art 2011
- Fanfare (Ottawa)
- Captatio oculi
- Silly Circuits
- Contrainte/Restraint : New Media Art Practices from Brazil and Peru (Montréal)
- eARTS BEYOND : Shanghai International Gallery Exhibition of Media Art
- Fanfare (Montreal)
- FILE 2005
- VAE 9 – Festival Internacional de Video/Arte/Electrónico
- Rotoscopic Machines
- Totem sonique (Montreal)
- Silverfish Stream
Jean-Pierre Gauthier pursues a hybrid approach in which he combines visual art and the musical conception around kinetic and sound installations, invented or automated music instruments.
His installations have been shown in Canada, Europe and Asia. A retrospective of his work was put together at the Musée d’art contemporain de Montréal in 2007 and then travelled throughout North America until 2010. Molior presented several of his works in Sao Paulo, Brazil, notably during the FILE - Festival Internacional de Linguagem Eletrônica in 2012 and as part of Despertar /Éveil/Alive in 2014.
In 2004, Jean-Pierre Gauthier won the Sobey Award for the Arts, and the following year, the Canada Council for the Arts awarded him the Victor Martyn Lynch-Staunton prize. In 2012, Ville de Montréal selected him as the winner of the Prix Louis-Comtois. He his represented by Ellephant in Montreal and Toronto.
The Musée national des beaux-arts du Québec, Musée d'art contemporain de Montréal, Montreal Museum of Fine Arts Musée des beaux-arts and the Art Gallery of Nova Scotia have works by in him in their collections. In 2016, following the acquisition of Orchestre à géométrie variable (2013-2014), the Musée d'art contemporain de Montréal exhibited the work and documented its installation so as to ensure its conservation.