2022
2021
- Symposium - Rethinking Our Futures: Art and Collaboration
- "Éveil/Alive" for circulation
- "The Dead Web – La Fin" available for circulation
2020
2019
- Networking and Scouting Residency for Curators
- "The Dead Web – La fin" at the Mapping Festival
- "The Dead Web – La fin" at Mirage Festival
2018
- Diversity and equal opportunity policy
- Molior 15 years | Online Publication on Daniel Langlois Foundation's website
- MIRAGE FESTIVAL
2017
- SIGNAL FESTIVAL 5th edition in Prague (Czech republic)
- Biela Noc 3rd edition in Bratislava (Slovakia)
- Biela Noc 8th edition in Košice (Slovakia)
2016
- Colloquium : Contemporary Digital Art: Conservation, Dissemination and Market Access
- Molior 15 years | Fund raising
- Rhythms of the Imagination, Technological Tools and Works
2014
2012
2011
- TransLife International Triennial of New Media Art 2011
- Fanfare (Ottawa)
- Captatio oculi
- Silly Circuits
2010
2009
- Contrainte/Restraint : New Media Art Practices from Brazil and Peru (Montréal)
- eARTS BEYOND : Shanghai International Gallery Exhibition of Media Art
- Fanfare (Montreal)
2008
2007
2006
2005
- FILE 2005
- VAE 9 – Festival Internacional de Video/Arte/Electrónico
- Rotoscopic Machines
- Totem sonique (Montreal)
- Silverfish Stream
Biography /
Tamás Komoróczky
Tamás Komoróczky (b. 1963) graduated from the Painting (1990) and later the Mural Department (1992) of the Hungarian Academy of Fine Arts. He also studied video at the Staatliche Kunstakademie in Düsseldorf. Between 1989 and 1996, he became well-known for his activity in the Újlak Group, among others: as one of the organizers of the first artist-run space in Budapest, he took part in setting up art events in abandoned buildings; a program that came to be a definitive feature of the art scene of the time. Parallel to this, Komoróczky also began developing his own work, utilizing the toolkit of photography and video. Later on, he added computer animation to his videos and also used this technology to create wallpapers.