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2012

  • FILE (Festival Internacional de Linguagem Electrônica)


2011

  • TransLife International Triennial of New Media Art 2011
  • Fanfare (Ottawa)
  • Captatio oculi
  • Silly Circuits


2010

  • Contrainte/Restraint : New Media Art Practices from Brazil and Peru (São Paulo)
  • [IR]rationnel


2009

  • Contrainte/Restraint : New Media Art Practices from Brazil and Peru (Montréal)
  • eARTS BEYOND : Shanghai International Gallery Exhibition of Media Art
  • Fanfare (Montreal)


2008

  • SYNTHETIC TIMES - Media Art China 2008
  • À l’intérieur/Inside (São Paulo)


2007

  • B/R/T The Inhabited Body
  • Transitions/Transiciones
  • Formica


2006

  • Raffi
  • À l’intérieur/Inside (Beijing)
  • Totem sonique (Grand Métis)
  • Magnitudes et Saisissement


2005

  • FILE 2005
  • VAE 9 – Festival Internacional de Video/Arte/Electrónico
  • Rotoscopic Machines
  • Totem sonique (Montreal)
  • Silverfish Stream


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  • Prehysterical Machine, 2002

    Bill Vorn
  • Prehysterical Machine, 2002

    Bill Vorn
  • Prehysterical Machine, 2002

    Bill Vorn
  • Prehysterical Machine, 2002

    Bill Vorn
  • Prehysterical Machine, 2002

    Bill Vorn
  • Silverfish Stream, 2005

    Constanza Silva
  • Silverfish Stream, 2005

    Constanza Silva
2005

VAE 9 – Festival Internacional de Video/Arte/Electrónico

9e Festival international de Vidéo/Art/Électronique, Lima
From August 25th to September 25th, 2005

Two Canadian new media artists travel to Peru for the 9th International Festival of Art/Video/Electronics.

New media artists Bill Vorn and Constanza Silva both whom have already presented work with Groupe Molior in Montreal, will be exhibiting their respective works Prehysterical Machine and Silverfish Stream as part of the art and robotics exhibition at VAE9.
 

  
Bill Vorn  |  biography ›
Prehysterical Machine
2002
Robotic installation
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This project is part of a larger research program on the Aesthetics of Artificial Behaviors and is very much inspired of a previous work based on the Misery of the Machines (Bill Vorn, LP Demers, La Cour des Miracles, 1997). It is conceived on the principle of deconstruction, suggesting dysfunctional, absurd and deviant behaviors through a functional machine. It operates on a dual-level process expressing the paradoxal nature of Artificial Life.

The first prototype of the Hysterical Machine (renamed Prehysterical Machine) has been presented at the Sentient Circuitry show at the Walter Philips Galery (Banff) from June 10 to July 26, 2002, at the Fundacion Telefonica kiosk at Arco (Madrid, Spain) from February 12 to 18, 2003, and at FILE 2004 (São Paulo, Brazil) from November 22 to December 12, 2004. We are actually building six more machines inspired by the prehysterical prototype that will be incorporated into a larger scale environment.

The Prehysterical Machine has a spherical body and eight arms made of aluminum tubing. It has a sensing system, a motor system and a control system that functions as an autonomous nervous system (entirely reactive). The machine is suspended from the ceiling and its arms are actuated by pneumatic valves and cylinders. Pyroelectric sensors allow the robot to detect the presence of viewers in the nearby environment. It reacts to the viewers according to the amount of stimuli it receives. The perceived emergent behaviors of this machine engender a multiplicity of interpretations based on single dynamic pattern of events.
 


Constanza Silva  |  biography ›
Silverfish Stream
2005
Interactive installation
+

Silverfish Stream is a sensual, poetic exploration of the potentials of human-machine interaction.  Communicating robotic spheres move through the gallery space, adjusting their behaviors in relation to each other; the result is an awkward and unpredictable pas de deux that both absorbs and excludes the viewer.  Within this field of metal and fleshy bodies that adjust and readjust to each other, a complex sound environment emerges.  Sonic vibrations from the machines are transformed and modulated by the movements of bodies within the multi-centric system.


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  • Design : Atelier NAC
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  • Development : Aceituna