
2022
2021
- Symposium - Rethinking Our Futures: Art and Collaboration
- "Éveil/Alive" for circulation
- "The Dead Web – La Fin" available for circulation
2020
2019
- Networking and Scouting Residency for Curators
- "The Dead Web – La fin" at the Mapping Festival
- "The Dead Web – La fin" at Mirage Festival
2018
- Diversity and equal opportunity policy
- Molior 15 years | Online Publication on Daniel Langlois Foundation's website
- MIRAGE FESTIVAL
2017
- SIGNAL FESTIVAL 5th edition in Prague (Czech republic)
- Biela Noc 3rd edition in Bratislava (Slovakia)
- Biela Noc 8th edition in Košice (Slovakia)
2016
- Colloquium : Contemporary Digital Art: Conservation, Dissemination and Market Access
- Molior 15 years | Fund raising
- Rhythms of the Imagination, Technological Tools and Works
2014
2012
2011
- TransLife International Triennial of New Media Art 2011
- Fanfare (Ottawa)
- Captatio oculi
- Silly Circuits
2010
2009
- Contrainte/Restraint : New Media Art Practices from Brazil and Peru (Montréal)
- eARTS BEYOND : Shanghai International Gallery Exhibition of Media Art
- Fanfare (Montreal)
2008
2007
2006
2005
- FILE 2005
- VAE 9 – Festival Internacional de Video/Arte/Electrónico
- Rotoscopic Machines
- Totem sonique (Montreal)
- Silverfish Stream
Biography /
Zhang Ga
Zhang Ga is a media art curator, professor of Media Art at Academy of Arts and Design, Tsinghua University (Beijing), and associate professor of Media Design at the School of Art, Media and Technology at Parsons The New School for Design (New York). He also holds appointments as Consulting Curator of Media Art at the National Art Museum of China, Senior Researcher at the Media x Design Lab of EPFL | Swiss Federal Institute of Technology Lausanne and Visiting Scientist at the MIT Media Lab in the U.S. He was Artistic Director / Curator of Synthetic Times: International New Media Art Exhibition, a Beijing Olympics Cultural Project organized by the National Art Museum of China in 2008 (catalogue by the MIT Press), among numerous other curatorial projects. He has been on many jury and consultation committees including the (former) World Trade Center Artist Residency Program, Rockefeller New Media Fellowship National Nomination Committee, Prix Ars Electronica among others. He organized and curated the First, Second and Third Beijing International New Media Art Exhibitions and Symposiums, extending the global new media art discourse into mainland China. He has lectured widely around the world; most recently he was a keynote speaker at Re:Live09, Third International Conference on the Histories of Media Art, Science and Technology. In 2010, he founded China’s first media art lab at Tianghua University.