
2023
2022
2021
2020
2019
- Networking and Scouting Residency for Curators
- "The Dead Web – La fin" at the Mapping Festival
- "The Dead Web – La fin" at Mirage Festival
2018
- Diversity and equal opportunity policy
- Molior 15 years | Online Publication on Daniel Langlois Foundation's website
- MIRAGE FESTIVAL
2017
- SIGNAL FESTIVAL 5th edition in Prague (Czech republic)
- Biela Noc 3rd edition in Bratislava (Slovakia)
- Biela Noc 8th edition in Košice (Slovakia)
2016
- Colloquium : Contemporary Digital Art: Conservation, Dissemination and Market Access
- Molior 15 years | Fund raising
- Rhythms of the Imagination, Technological Tools and Works
2014
2012
2011
- TransLife International Triennial of New Media Art 2011
- Fanfare (Ottawa)
- Captatio oculi
- Silly Circuits
2010
2009
- Contrainte/Restraint : New Media Art Practices from Brazil and Peru (Montréal)
- eARTS BEYOND : Shanghai International Gallery Exhibition of Media Art
- Fanfare (Montreal)
2008
2007
2006
2005
- FILE 2005
- VAE 9 – Festival Internacional de Video/Arte/Electrónico
- Rotoscopic Machines
- Totem sonique (Montreal)
- Silverfish Stream


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Robyn Moody. Wave Interference, 2012 - 2013
Jan Tichy -
Robyn Moody. Wave Interference, 2012 - 2013
Dušan Vondra -
Robyn Moody. Wave Interference, 2012 - 2013
Evey Taylor -
Robyn Moody. Wave Interference, 2012 - 2013
Jan Knot
SIGNAL FESTIVAL 5th edition in Prague (Czech republic)
Signal Festival of lights is the largest cultural event in the Czech Republic, whose unique integration of art, city space, and modern technology has drawn over 1.5 million attendees to Prague in the four years of its existence.
Molior has set up a new coproduction with the Signal Festival in the Czech Republic. Last of a total of three major events that have each presented several wide-ranging light works in public space at the scale of their city.
After its participation in the Biela Noc of Košice and Bratislava (Slovakia), Robyn Moody's work continued its tour for three days of exhibition at the Signal Festival.
This project has received support from the following institutions: the Conseil des arts et des lettres du Québec, and the Canada Council for the Arts. Molior would like to thank the Conseil des arts de Montréal and Les offices jeunesse internationaux du Québec (LOJIQ) for their invaluable collaboration.